Dorothea Lange
Supported by government programs and new picture magazines like LIFE, Dorothea Lange and other photographers of the 1930s and '40s created an indelible record of everyday life in difficult times. The Great Depression caused many photographers to consider the camera as an instrument of social change. Foremost among this group was Berkeley photographer Dorothea Lange, whose intimate pictures of people in distress were driven by a deep personal empathy. She continued her intensely personal work after the Depression, creating series on the forced relocation of Japanese Americans during World War II, Irish country life, and postwar suburban California, among many other projects. The Oakland Museum of California houses Lange’s personal archive, a gift from the artist that includes 25,000 negatives, 6,000 vintage prints, field notes, and personal memorabilia. Curators and researchers from around the world visit the Museum to access the Lange collection.
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c.1942
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1934
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1931
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1935
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c.1944
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ca. 1943
Handwritten on negative envelope: "El Cerrito trailer camp. "Do Not Disturb - Night Worker Sleeping" |
ca. 1942
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c.1942
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August, 1943
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1942/1943
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ca. 1943
Handwritten on negative envelope: "On the way to work (swing shift) Just across the street from Gate of Yard 2." |
ca. 1942
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circa 1942
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June 1935
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June 1935
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1953
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1951
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1938
see 67.137.38258.1 -.2 (negatives taken apparently the same day) Notes in Catalog Sheet Volume 4 read: |
1938
Notes in Catalog Sheet Volume 4 read -"sheriff's deputies confront agricultural workers on strike" |
1938
see 67.137.38258.1 -.2 (negatives taken apparently the same day) Notes in Catalog Sheet Volume 4 read: |
04/06/42
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CA. 1943
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1933
Lange Problem #4. This is evidently Lange's personal copy negative. The original negative is 67.137.7511. |
Feb-42
Oakes Observatory Oakland, Calif. Headlines of newspapers in stand at 14th and Broadway presaged, on February 27, 1942, the evacuation of persons of Japanese ancestry from military... |